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RES 43 Spring 2003

Islamic Arts

 

  EDITORIAL
OLEG GRABAR
What one should know about Islamic art

DAVID J. ROXBURGH
Micrographia: Toward a visual logic of Persianate painting

OYA PANCAROGLU
Signs in the Horizons: Concepts of image and boundary in a medieval Persian cosmography

THOMAS DaCOSTA KAUFMANN
Islam, Art, and Architecture in the Americas: Some considerations of colonial Latin America

CYNTHIA ROBINSON
Mudéjar revisited: A prolegomena to the reconstruction of perception, devotion, and experience at the Mudéjar convent of Clarisas, Tordesillas, Spain (14th century A.D.)

NASSER RABBAT
The dialogic dimension of Umayyad art

FINBARR B. FLOOD
Pillars, palimpsests, and princely practices: Translating the past in Sultanate Delhi

MICHAEL W. MEISTER
Crossing Lines: Architecture in early Islamic South Asia

ZEREN TANINDI
Transformation of words to images: Portraits of Ottoman courtiers in the diwans of Bâqî and Nâdirî

PRISCILLA SOUCEK
Interpreting the Ghazals of Hafiz

SILVIA NAEF
Reexploring Islamic Art: Modern and contemporary creation in the Arab world and its relation to the artistic past

FERESHTEH DAFTARI
Beyond Islamic roots - beyond Modernism

JAMAL J. ELIAS
On wings of diesel: Spiritual space and religious imagination in Pakistani truck decoration

REBECCA M. BROWN
Abject to Object: Colonialism preserved through the imagery of Muharram