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BORIS GROYS
Editorial: On the New
HENRY MAGUIRE
Profane icons: the significance of animal violence in Byzantine art
BISSERA V. PENTCHEVA
Rhetorical images of the Virgin: the icon of the "usual miracle" at the Blachernai
RICO FRANCES
Intention and meaning in Byzantine donor portraits: the "Emperor in Proskynesis" mosaic of Hagia Sophia, Istanbul
NICOLETTA ISAR
The vision and its "exceedingly blessed beholder": of desire and participation in the icon
GRAZIELLA FEDERICI VESCOVINI
Perspective in the Middle Ages
ALBA GUADALUPE MASTACHE and ROBERT H. COBEAN
The sacred precinct of Tollan
ANNE PAUL
Protective perimeters: the symbolism of borders on Paracas textiles
TAMARA BRAY
Imperial Inca iconography: the art of empire in the Andes
JOSEPH MASHEK
A pre-Bretonian case for automatic drawing
SIMON BAKER
The thinking man and the femme sans tete: collective vision and self-representation
MARK FRANKO
The ready-made as movement: Cunningham's video and Duchamp's bow
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