JOSEPH LEO KOERNER
Editorial: Factura
BRUNO LATOUR
Factures/fractures: from the concept of network to the concept of attachment
MARIA GOUGH
Faktura: the making of the Russian avant-garde
GERHARD WOLF
The origins of painting
FRIEDRICH TEJA BACH
Albrecht Dürer: figures of the marginal
PHILIP SOHM
Maniera and the absent hand: avoiding the etymology of style
REBECCA ZORACH
Everything swims with excess: gold and its fashioning in sixteenth-century France
BENJAMIN BINSTOCK
Rembrandt’s paint
PAULA CARABELL
Framing and fiction in the work of Paolo Veronese: a study in the structure and meaning of the image di sotto in su
T. A. ANSTEY
Fictive harmonies: music and the Tempio Malatestiano
DARIO GAMBONI
"Fabrication of accidents": factura and chance in nineteenth-century art
MATTHEW SIMMS
Cézanne’s unfinish
PAMELA LEE
How money looks: Man Ray’s Perpetual Motif and the economy of time
HARRY COOPER
Surface as psyche: a progress report
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